Acoustic sensors enable efficient and non-invasive monitoring of a wide range of species, including many that are difficult to monitor in other ways. Although they were initially limited in application scope largely due to cost and hardware constraints, the development of low-cost, open-source models like the Audiomoth in recent years has increased access immensely and opened up new avenues of research. For example, some teams are using them to identify illicit human activities through the detection of associated sounds, like gunshots, vehicles, or chainsaws (e.g. OpenEars).
With this relatively novel dimension of wildlife monitoring rapidly advancing in both marine and terrestrial systems, it is crucial that we identify and share information about the utility and constraints of these sensors to inform efforts. A recent study identified advancements in hardware and machine learning applications, as well as early development of acoustic biodiversity indicators, as factors facilitating progress in the field. In terms of limitations, the authors highlight insufficient reference sound libraries, a lack of open-source audio processing tools, and a need for standardization of survey and analysis protocols. They also stress the importance of collaboration in moving forward, which is precisely what this group will aim to facilitate.
If you're new to acoustic monitoring and want to get up to speed on the basics, check out these beginner's resources and conversations from across the WILDLABS platform:
Three Resources for Beginners:
- Listening to Nature: The Emerging Field of Bioacoustics, Adam Welz
- Ecoacoustics and Biodiversity Monitoring, RSEC Journal
- Monitoring Ecosystems through Sound: The Present and Future of Passive Acoustics, Ella Browning and Rory Gibb
Three Forum Threads for Beginners:
- AudioMoth user guide | Tessa Rhinehart
- Audiomoth and Natterjack Monitoring (UK) | Stuart Newson
- Help with analysing bat recordings from Audiomoth | Carlos Abrahams
Three Tutorials for Beginners:
- "How do I perform automated recordings of bird assemblages?" | Carlos Abrahams, Tech Tutors
- "How do I scale up acoustic surveys with Audiomoths and automated processing?" | Tessa Rhinehart, Tech Tutors
- Acoustic Monitoring | David Watson, Ruby Lee, Andy Hill, and Dimitri Ponirakis, Virtual Meetups
Want to know more about acoustic monitoring and learn from experts in the WILDLABS community? Jump into the discussion in our Acoustic Monitoring group!
Header image: Carly Batist
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Interested in automated insect monitoring.
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Scientist interested in integrating remotely sensed habitat characterization with animal movement and acoustics datasets for conservation applications. Working at JPL and UCLA-IoES affliated
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Open Acoustic Devices
I am co-founder of Open Acoustic Devices, the creators of AudioMoth and HydroMoth. My background is Electronic Engineering and Computer Science.
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PhD Candidate in autonomous marine biodiversity modelling
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FruitPunch AI
CTO and Founder of FruitPunch AI
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San Diego Zoo Wildlife Alliance
Wildlife ecologist with a passtion for conseration technology.
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PhD Candidate at University College London. Research and develop wireless sensor networks for biodiversity monitoring. Currently working on a software package for AI bioacoustics classifiers on edge device.
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Saint Louis Zoo
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University of Oxford
I am a Professor of Computer Science at the University of Oxford where I work on developing novel low-cost conservation technology (including AudioMoth and SnapperGPS).
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Digital nomad, software developer, running mechatronic engineering firm in Seychelles to assist ocean conservation groups.
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Article
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Prospective PhD students with a background in acoustics and an interest in Arctic ecology are encouraged to email Michelle EH Fournet
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Sarab Sethi is looking for a PhD student (Sept 24) to investigate real time insect pollinator monitoring with acoustics. Sensor design, ML, lab and field experiments, and more !
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Software Engineer at Rainforest Connection & Arbimon
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Join the Rainforest Connection & Arbimon team to develop software for biodiversity monitoring!
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| Description | Activity | Replies | Groups | Updated |
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| Thanks, we know they are breeding these animals here, I asked, since it's seems to be an expensive hobby, we need to allocate more funding for rural women in entrepreneurship and... |
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Acoustics, Animal Movement, Citizen Science, Human-Wildlife Coexistence, Protected Area Management Tools, Wildlife Crime | 10 months 1 week ago | |
| WildMon, Terra Genesis, The VF Foundation, Thaksin University, and the Wanakaset Symbiosis Network have teamed up on a new project in... |
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Acoustics, AI for Conservation, Community Base | 10 months 2 weeks ago | |
| This looks awesome! |
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Acoustics | 10 months 3 weeks ago | |
| I would love to see my bat detector designs in use in Africa - drop me a line, let's see if we can get something to happen - I'm pipistrelledetector at gmail dot comhttp://www.... |
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Citizen Science, Acoustics, Conservation Tech Training and Education, Human-Wildlife Coexistence | 10 months 3 weeks ago | |
| Hi Phil, Thanks for sharing - this is really interesting work! Seems like a cool integration of ground-based (or ocean-based) data and satellite data, with a community... |
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Geospatial, Acoustics, Camera Traps, eDNA & Genomics | 11 months ago | |
| Or you could use my sbts-aru project. Which is free software that runs on Raspberry Pis. It also allows you to perform sound localization remotely if required, without bringing... |
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Acoustics | 11 months ago | |
| Yes, predation is a significant conservation issue, especially for vulnerable species. Invasive predators can harm native wildlife, and carnivores preying on livestock often lead... |
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Acoustics | 11 months 1 week ago | |
| I shared some information on different ARU options in this post which might help! |
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Acoustics | 11 months 1 week ago | |
| Thanks for the plug, @Rob_Appleby Yes, we do a lot of work with audio playback as a nonlethal deterrent. We generally don’t do any work on identifying the animal... |
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Acoustics | 11 months 3 weeks ago | |
| Hi Sean! I was the one who annotated these recordings and this is definitely a mistake- that song is a Hauxwell's Thrush; it's annotated correctly with 15622 but not with... |
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Acoustics | 11 months 3 weeks ago | |
| @calyptura Try using another version of the download scripts that you can download from this link. There are 2 version of the script available. |
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Acoustics | 1 year ago | |
| We actually recently introduced Recording Schedules - where you can control the PUC's duty cycle during (Day, Night, Dawn, Dusk). |
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Acoustics | 1 year ago |
