Acoustic sensors enable efficient and non-invasive monitoring of a wide range of species, including many that are difficult to monitor in other ways. Although they were initially limited in application scope largely due to cost and hardware constraints, the development of low-cost, open-source models like the Audiomoth in recent years has increased access immensely and opened up new avenues of research. For example, some teams are using them to identify illicit human activities through the detection of associated sounds, like gunshots, vehicles, or chainsaws (e.g. OpenEars).
With this relatively novel dimension of wildlife monitoring rapidly advancing in both marine and terrestrial systems, it is crucial that we identify and share information about the utility and constraints of these sensors to inform efforts. A recent study identified advancements in hardware and machine learning applications, as well as early development of acoustic biodiversity indicators, as factors facilitating progress in the field. In terms of limitations, the authors highlight insufficient reference sound libraries, a lack of open-source audio processing tools, and a need for standardization of survey and analysis protocols. They also stress the importance of collaboration in moving forward, which is precisely what this group will aim to facilitate.
If you're new to acoustic monitoring and want to get up to speed on the basics, check out these beginner's resources and conversations from across the WILDLABS platform:
Three Resources for Beginners:
- Listening to Nature: The Emerging Field of Bioacoustics, Adam Welz
- Ecoacoustics and Biodiversity Monitoring, RSEC Journal
- Monitoring Ecosystems through Sound: The Present and Future of Passive Acoustics, Ella Browning and Rory Gibb
Three Forum Threads for Beginners:
- AudioMoth user guide | Tessa Rhinehart
- Audiomoth and Natterjack Monitoring (UK) | Stuart Newson
- Help with analysing bat recordings from Audiomoth | Carlos Abrahams
Three Tutorials for Beginners:
- "How do I perform automated recordings of bird assemblages?" | Carlos Abrahams, Tech Tutors
- "How do I scale up acoustic surveys with Audiomoths and automated processing?" | Tessa Rhinehart, Tech Tutors
- Acoustic Monitoring | David Watson, Ruby Lee, Andy Hill, and Dimitri Ponirakis, Virtual Meetups
Want to know more about acoustic monitoring and learn from experts in the WILDLABS community? Jump into the discussion in our Acoustic Monitoring group!
Header image: Carly Batist
University of Adelaide

- 0 Resources
- 10 Discussions
- 17 Groups
- @pbull
- | he/him
DrivenData
Engineer and AI for Good leader working on bringing machine learning tools to social impact organizations.

- 0 Resources
- 1 Discussions
- 8 Groups
- 0 Resources
- 0 Discussions
- 4 Groups
- @ronanwallace
- | He/Him
Research scientist developing conservation technology in environmental monitoring and cultural preservation.
- 0 Resources
- 0 Discussions
- 5 Groups
- 0 Resources
- 0 Discussions
- 1 Groups
- 0 Resources
- 0 Discussions
- 6 Groups
TerrOïko
I am an ecological data engineer at Terroïko, where I work on OCAPI, a platform for semi-automatic camtrap data annotation, biodiversity data interoperability and biodiversity indicators.


- 0 Resources
- 10 Discussions
- 6 Groups
- @shana
- | she/her
I am a Senior Research Scientist in the Department of Human Centered Design and Engineering at the University of Washington. I am a researcher with the eDNA Collaborative and Co-Director of the Pacific Marine Energy Center.

- 2 Resources
- 2 Discussions
- 8 Groups
- @douggillespie
- | he/his
University of St Andrews
PAMGuard software developer
- 0 Resources
- 3 Discussions
- 5 Groups
- @catwasp
- | She/her
- 0 Resources
- 0 Discussions
- 19 Groups
Fauna & Flora
- 0 Resources
- 0 Discussions
- 3 Groups
Ph.D Speech-Hearing Sciences; 3D Designer/Printer interested in building/testing/deploying standardized environmental recording platforms for scientists and engineers in developing countries.
- 0 Resources
- 0 Discussions
- 10 Groups
HawkEars is a deep learning model designed specifically to recognize the calls of 328 Canadian bird species and 13 amphibians.
13 May 2025
The Biological Recording Company's ecoTECH YouTube playlist has a focus on webinars about Bioacoustic monitoring.
29 April 2025
This paper includes, in its supplementary materials, a helpful table comparing several acoustic recorders used in terrestrial environments, along with associated audio and metadata information.
15 April 2025
Conservation International is proud to announce the launch of the Nature Tech for Biodiversity Sector Map, developed in partnership with the Nature Tech Collective!
1 April 2025
PhD position available at the University of Konstanz in the Active Sensing Collective Group!
28 March 2025
InsectSet459 - the first large-scale open dataset of insect sounds, featuring 26,399 audio clips from 459 species of Orthoptera and Cicadidae.
24 March 2025
Naturalis is looking for a postdoc in AI for Ultrasonic Bioacoustic Monitoring
24 March 2025
Postdoctoral opening in the Bioacoustics and Behavioral Ecology Lab at Syracuse University
14 March 2025
Funding
Species identification from audio, focused on birds, amphibians, mammals and insects from the Middle Magdalena Valley of Colombia.
12 March 2025
Building species-specific habitat models for forest bird species using state of the art methods and remote sensing layers
28 February 2025
Osa Conservation is launching our inaugural cohort of the ‘Susan Wojcicki Research Fellowship’ for 2025, worth up to $15,000 per awardee (award value dependent on project length and number of awards given each year)....
10 February 2025
workshop introduced participants to the power of bioinformatics and next-generation sequencing (NGS) in conservation biology.
10 February 2025
June 2025
July 2025
September 2025
event
October 2025
November 2025
event
April 2023
event
61 Products
Description | Activity | Replies | Groups | Updated |
---|---|---|---|---|
Tessa-- Thanks for chiming in. I agree with a lot of what you're saying, both about what RFCX is likely to actually be doing and about the need for more open labeled... |
|
Acoustics | 3 years 7 months ago | |
We are filming with the Australian Acoustic Observatory soon with one of the Solar BARs we created (it's continuously recording for four years!) and were wondering if... |
|
Acoustics | 3 years 8 months ago | |
Thanks Rob! Hopefully it turns out to be a useful tool. Just to reiterate for folk, there are links to tutorials and a beta version in the blog post. |
|
Acoustics | 3 years 8 months ago | |
This is a small device that sits in your backyard and monitors sounds and RF signals for wildlife. https://www.kickstarter.com/... |
|
Acoustics | 3 years 11 months ago | |
Tessa Rhinehart has developed a great compilation of bioacoustic analysis platforms, software, etc. with basic functionality on each. It's openly-available on Github -https://... |
|
Acoustics | 4 years ago | |
Dear Antoine, collect sound data (.wav) with the audiorecorder (audiomoth) of your choice. Point the script https://github.com/kahst/BirdNET-Lite to the location of your data... |
|
Acoustics | 4 years ago | |
I didn't see this post until the digest came out, but if you still need some comments... I suggest asking this question on one of the sound recordists forums. The... |
|
Acoustics | 4 years ago | |
Hi all, The UK Acoustics Network's Bioacoustics special interest group is hosting a monthly webinar series starting this month (... |
|
Acoustics | 4 years 1 month ago | |
I'm assuming that by "sort by frequencies" you mean the frequency of the call itself, not the frequency of the audio recording (for example, a call at 1KHz vs a... |
|
Acoustics | 4 years 1 month ago | |
Hi everyone, we’ve decided to extend the survey for 3 more weeks, until the 18th of April! That will be the final date (the online survey tool we use is not free,... |
|
Acoustics | 4 years 1 month ago | |
Ah, perfect. I was wondering why I never hear those calls! That's really nice work, thanks so much for sharing! |
|
Acoustics | 4 years 3 months ago | |
Hi Alex, I'm not sure what problems there could be with aliasiing and harmonics using a low sample rate, and may depend I guess on how the recordings are processed later... |
+7
|
Acoustics | 4 years 3 months ago |